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Matz examines the writing of such modernists as James, Conrad and Woolf, who used the word "impression" to describe what they wanted their fiction to present. Matz argues that these writers did not favor immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, impressionist fiction occupies the middle ground between opposite ways of engaging with the world. This study addresses the problems of perception and representation that occupied writers in the early decades of the twentieth century.
- Sales Rank: #4220888 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2001-09-17
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .83" w x 5.98" l, 1.14 pounds
- Binding: Hardcover
- 290 pages
- Used Book in Good Condition
Review
"[a] worthy contribution to the ethics and politics of literary Modernism." Woolf Studies Annual
About the Author
Jesse Matz is Assistant Professor of English at Harvard University.
Most helpful customer reviews
6 of 11 people found the following review helpful.
In every way an oustanding book.
By A Customer
A beautifully written, nuanced argument by a brilliant young man. Informative, passionate and succinct, this is superior literary criticism on every level. In every poetic phrase, Matz outlines and advances a original vision that others in his field may have sensed in glimmers and shadows, but never fully articulated. This study is impressive in both its depth and bredth.
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