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A first book of poems by one of the best new voices to emerge from the Nuyorican Poets Cafe.
Where a Nickel Costs a Dime captures the hip-hop rhythms and in-your-face intensity of the Nuyorican Poets Cafe, a downtown Manhattan club where the hottest young poets are finding their fame.Willie Perdomo's poems, in the tradition of Amiri Baraka, Langston Hughes, and Ntozake Shange, meet at the intersection of the street and the academy.
The world in these piercing and heartbreaking poems is Spanish Harlem, "where night turns to day without sleep," where "Puerto Rico stays on our minds when the fresh breeze of cafe con leche y pan con mantequilla comes through half-opened windows and under our doors," where "babies fall asleep to the bark of a German shepherd," where "Independence Day is celebrated everyday," where "the police come into your house without knocking. They throw us off rooftops and say we slipped. They shoot my father and say he was crazy. They put a bullet in my head and say they found me that way."
Blending images of street life, drugs, and AIDS against hope and determination, Willie Perdomo is a cutting-edge bard who speaks to the soul of his generation.
- Sales Rank: #868485 in Books
- Published on: 1996-03-17
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .30" w x 6.00" l, .30 pounds
- Binding: Paperback
- 80 pages
- ISBN13: 9780393313833
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Perdomo, a regular performer at Manhattan's Nuyorican Poets Cafe, is a scruffy organizer of his experience, throwing his poetics together tenement style. In the irresistible, high-spirited "Nigger-Reecan Blues," he insists, "Yo soy Boricua! Yo soy Africano! I ain't/ lyin'. Pero mi pelo is kinky y curly y mi skin no es negro pero it can pass . . ." Drawing on rap, jazz, Langston Hughes and the rhythms of the streets, this collection bristles with congas, timbales, police sirens and wino oracles, "singing a celebration of the island/ that some of us will never see." In poems that are scalding, toxic and dizzying, Perdomo reminds us that there is something wrong when feeling joy suggests mangled sanity: "I didn't know whether to laugh or cry when I noticed I went to more funerals than parties this summer."
Copyright 1996 Cahners Business Information, Inc.
From Library Journal
Perdomo (Young Tongues, First Civilizations, 1992) does not write a focused, collected poetry with practiced diction and tidy lines. His raucous craft owes more to rap than Whitman, forging works that sing, dance, and howl at the moon: "the 'hood/ the block/ the Ave./ the corner/ my boys." These are songs of the Harlem barrio, where (according to Langston Hughes) "a nickel costs a dime." Perdomo finds poetry in broken lines and blocked prose, in pieces of dialog and prayer. "Where I'm from, Puerto Rico stays on our minds when the fresh breeze of cafe con leche y pan con mantequilla comes through our half open windows." These sentiments give way to rage at times: "Every time I go downtown la madam blankita de Madison Avenue sees that I' standing next to her and she holds her purse a little tighter." As rough and sharp as the images often are, there is grace and tenderness as well. A good introduction to what's happening on the cutting edge. Recommended for larger collections.?Louis McKee, Painted Bride Arts Ctr., Philadelphia
Copyright 1996 Reed Business Information, Inc.
About the Author
Willie Perdomo is the author of The Essential Hits of Shorty Bon Bon, Where a Nickel Costs a Dime, a finalist for the Poetry Society of America Norma Farber First Book Award and Smoking Lovely, winner of the PEN Beyond Margins Award. His poems have appeared in The New York Times Magazine, BOMB, Mandorla, and African Voices. He is a Pushcart Prize nominee, a former recipient of the Woolrich Fellowship in Creative Writing at Columbia University, and two-time New York Foundation for the Arts Poetry Fellow. He is a member of the VONA/Voices faculty and is currently an English Instructor at Phillips Exeter Academy. Visit his website at www.willieperdomo.com
Most helpful customer reviews
4 of 4 people found the following review helpful.
A treasure
By Vincent Hevern
Read it again and again -- always out loud -- and the extraordinary rhythms of Willie Perdomo's powerful poems will reach inside and grip your imagination. I never tire of picking this small volume up and enter once more New York City and the neighborhood of el barrio. The sounds of the streets, the cadence of young men and women as they boast and speak their affections, the sights of a Manhattan many visitors never see, all are integral to these poems. You'll be confronted with racism and poverty and violence. But, you'll equally face love and loyalty, family and hope. One of my students at the college in which I teach originally introduced Perdomo to me and I've been eager to share him with others ever since.
0 of 0 people found the following review helpful.
Powerful.
By A. J. Gilbert
there's no way to be lukewarm about this book. It's a raw and beautiful lyric, and always so specific. Whenever I open "Where A Nickel Costs a Dime" , Willie is in the room. And he owns the room. until the moment I've finished the book again, and set it away.
0 of 0 people found the following review helpful.
GREAT BOOK
By CrazyBunch
How could Amazon.com post such a scornful, personal review of a literary work? I live in the neighborhood where Willie Perdomo was raised and he is definitely not a disgrace to his people and his neighborhood. If I had a nickel for every time I heard a young and old Puerto Rican or African-American man or woman say they read his book and were affected, I would be rich. And now he is making contributions to children's literature with a new picture book called VISITING LANGSTON. People from all communities respect Willie and what he stands for. I buy this book regularly for people who live in our inner cities and need a witness. Please, the next time someone tries to post any kind of vicious attack on an author and his work, please refer to them to a therapist. Next thing you know he'll have a rabbit boiling in his kitchen. TCB
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